Digital SLR Cameras & Photography For Dummies®, 3rd Edition. Published by. Wiley Publishing, Inc. River Street. Hoboken, NJ Download the Book:Digital Slr Photography All-In-One For Dummies PDF For Free, Preface: The bestselling guide to DSLR photography - now updated for. In this guide we share tips on how to use a DSLR. It's perfect for beginner Check out our free Ultimate Guide to Photography for Beginners. If you've bought .

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Point and shoot cameras are small, light weight and can be carried in a pocket. These cameras tend to be cheaper then SLR cameras. Many of these cameras. features of your DSLR. By understanding how these controls work and learning the basics of photography you will be well on the way to learning how your. Digital SLR Cameras and Photography For Dummies [David D. Busch] on *FREE* shipping on qualifying offers. The perennial digital photography.

Let us see how much time you will take to understand the manual mode. Some of the models may have the mode dial at the top left-hand side. Do not ignore this step. Consider picking up a decent subject in natural light.

Make sure to have good natural light. Try to avoid shooting in dimly lit rooms. So choose an inanimate object in the natural light and place your camera on a tripod.

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Press the display button to see all the required Camera settings on the LCD screen. The image on the left shows the Aperture value f5. The Image on the right shows the ISO value which is circled in red.

To set a lens to its maximum aperture just follow this. Which should select F-number as shown below. Then use the primary dial which usually behind the Shutter Button on the top and turn it in the anti-clockwise direction.

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You should see F-number decreasing as you do it. You are turning the main dial in the wrong direction.

You are turning the wrong dial. Just work around these four steps until you see F-number changing. Once it starts to change, make sure to turn the dial until you see F-number cannot go any lower.

Press on Quick mode button and use the right arrow to move to Aperture setting the F-number.

Choose the minimum Aperture value for your lens. I know it all sounds confusing. But, just take it one step at a time. Choose the minimum ISO settings possible. Again, turn the main dial in the anti-clockwise direction just as you did while setting Aperture until you get the ISO to show Whatever it is right now, just leave it at that as of now.

Introduction to External Flash Photography This is a very concise guide on external flash photography. The book is barely 9 pages long and it gets straight to the point. It has dedicated sections on explaining the use of flash outdoors and how to achieve great results, all in an easy to understand language.

How to Take Stunning Food Photos If you like food photography, this eBook will prove to be a valuable resource for you.

From lighting considerations to composition suggestions, a lot has been covered in this book to get you started. According to the book, there are essentially two things that make a stunning food photo — appropriate exposure and a thoughtful composition. For more tips, download the eBook!

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Keep this in hand and give this a read whenever you feel uninspired, or want something to read while on the bus or subway. Lighting , by Strobist The ever popular online lessons on lighting in photography, Lighting , can be downloaded as a single file for a handy reference.

It will teach you everything about lighting — lighting equipment, artificial lighting, balancing it with natural light, lighting patterns and many more tricks. If you are looking for an in-depth primer on lighting, Lighting will be a great place to start. Nine Motivational Essays on Photography, by Scott Bourne As photographers, we periodically experience a creative block that leaves us unmotivated.

These nine essays tackle the issues of photographic motivation, creative rut, and getting photographic inspiration in different ways. A must-read for all photographers. The Ultimate Guide to Starting Your Photography Business If you are looking to start a photography business but have no idea how to go about it, this eBook will be a great place to start. Therefore, to balance the exposure, you could do the following: Situation 1: Reduce the shutter speed by a factor of 4, i.

Situation 2: Reduce the ISO by a factor of 4, i. Aperture, shutter speed and ISO are all facotrs that influence your exposure, and are all linked.

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They all have the net effect of reducing the amount of light by a factor of 4, countering the change in aperture. Further Reading: Read more about the Exposure Triangle.

Master Metering Through out all of the above discussion, I have said that the camera calculates the exposure depending on the amount of available light, but what is it actually doing? When taking a photograph, using any form of automatic exposure calculation e.

This is known as metering, and it is the reason that if you point your camera at a bright white scene, such as after it has snowed, and take a photograph the resulting image will always appear darker than you or I see it.

Similarly, if you point your camera at a really dark scene, such as a low-lit room, and take a photograph the resulting image will always be brighter than you or I see it. The scene is always being averaged by the camera and most of the time that results in the image appearing to be correctly exposed. However, you can control what areas of the scene are being assessed by the camera in order to influence the way in which the exposure is metered.

Practically speaking: when starting out with your camera, either average or centre weighted metering are a good starting point. They will both provide a fairly consistent measure of the exposure required and, if you select one mode and stick with it, you will soon begin to understand when a scene will be under exposed i.

That is where exposure compensation comes in. It allows you to either increase or decrease the cameras default meter reading to account for the actual brightness of a scene. A spring lamb leaping in front of a snowy hillside. Left: Straight out of camera, with the snow caught as grey. The bright snowy background caused my camera to underexpose this scene by nearly two stops, which could have been corrected by exposure compensation in camera.

Learn About Focussing Regardless of what shooting mode you are using, or what ISO you define, the chances are there will be a subject of your image that you want to have in focus.

If that focus is not achieved, the image will not be what you wanted. This is best used when taking photos of stationary subjects such as portraits of people, landscapes, buildings etc.

When you half-press the shutter, the focus will be acquired and locked on that point for as long as you hold the button down. If you want to change to focus, you need to release the button, recompose and then re-half-press.

AF-C — autofocus-continuous. This is best used when taking photos of action or moving subjects such as sports and wildlife. When you half-press the shutter, focus will be acquired and locked on to a given subject.

When that subject moves, the focus will adjust with it, refocusing all of the time until the photograph is taken. That switch is an override for if you want to manually focus your lens. If you want to make use of the autofocus modes discussed above, ensure the lens is set to AF. When you half-press the shutter, you should see one of these squares be highlighted in red.

That is the active focus point, and it is that position within the frame that the camera is focussing on.The aperture is the size of the opening in the lens through which light is allowed to pass whenever the shutter is opened — the larger the aperture, the more light passes through.

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Learn more about White Balance. This is known as metering, and it is the reason that if you point your camera at a bright white scene, such as after it has snowed, and take a photograph the resulting image will always appear darker than you or I see it.

The scene is always being averaged by the camera and most of the time that results in the image appearing to be correctly exposed. Which in turn helps to make the image darker. A large depth of field achieved by using a small aperture large f-number would mean that a large distance within the scene is in focus, such as the foreground to the background of the landscape below.

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